Live Visual Loops for Death Cab for Cutie's 2025 Tour

Collaboration with Michael Brown on creating visual loops for Death Cab for Cutie's 2025 'Plans' tour.

Commissioned by Brilliant Corners Artist Management.

Karol G - MTV Awards

Karol G – MTV Awards Performance

Stage Visuals for LED Walls & Floor | Tokyo Neon Theme & Sound-Reactive Design

Overview

Commissioned for Karol G’s MTV Awards performance, I designed and animated a full suite of stage visuals across both LED walls and a reactive LED floor, collaborating closely with Pixel Kartel. The visual direction followed a high-intensity “Tokyo Neon” theme — inspired by cyberpunk aesthetics, digital signage, and Y2K-era futurism — all crafted to amplify Karol G’s on-stage presence for a global broadcast audience.

Role & Tools

Role: Visual Designer, Animator, Real-Time FX Artist
Tools Used: TouchDesigner, After Effects, Adobe Illustrator

Visual Style & Concept

Drawing from Tokyo’s illuminated cityscape and glitchy digital culture, I built an animated environment packed with scrolling signage, reactive kanji forms, LED grid structures, and pulsing neon elements. The visuals were programmed in TouchDesigner to sync tightly with the timecoded track.

The end result was a multi-layered visual performance — a fusion of music, choreography, and motion design — that transformed the stage into a vibrant, futuristic city.

Process Highlights

• Developed a cyber-Tokyo design system for both LED walls and an LED floor.

• Built a TouchDesigner patch that triggered sound-reactive animations from a timecoded track.

• Created loopable modular assets with bold, brand-aligned styling.

• Delivered optimized media and visual sync for live TV broadcast conditions.

Credits

Client: Pixel Kartel / Karol G
Event: MTV Awards
Theme: Tokyo Neon
Stage Setup: LED Wall & Floor
Direction & Animation: Jacob Faulkner / Ordos
Software: TouchDesigner, After Effects, Adobe Illustrator

Central Cee - Cant Rush Greatness Tour Visuals

Central Cee – Can’t Rush Greatness European Tour

Tour Visuals for Multiple Tracks | Sam Lisher Ltd | 2025

Overview

For Central Cee’s Can’t Rush Greatness European tour, I was commissioned to create bespoke visuals for several key tracks performed live across arena venues. Each scene was designed to reflect the mood and pace of the song it accompanied, using a blend of 3D animation, real-time visual effects, and stylistic world-building.

Role & Tools

Role: Visual Designer, Animator, 3D Artist
Tools Used: Cinema 4D, TouchDesigner, After Effects, Photoshop, AI-generated textures

Visual Style & Concept

Each track featured a unique visual identity:

• Satellite Scans & Blob Tracking (Shepherd’s Bush Cityscape)
  Using 3D scans and satellite imagery of Shepherd’s Bush, I built a stylised London city environment layered with a TouchDesigner blob-tracking system, inspired by CCTV and cyber-surveillance aesthetics.

• Windows 95–Inspired Environment
  A lo-fi, branded world built with 8-bit dithering, limited colour palettes, and nostalgic UI elements, styled around a fictional Central Cee–branded Windows 95 operating system.

• Rush Visuals – Fast City Montage
  A fast-paced, motion-blurred cityscape using rapid transitions, camera sweeps, and glitch effects to visually convey the pressure and tempo behind the “rush” of the tour.

• Graffiti Warehouse Interior
  A moody, atmospheric warehouse setting textured using AI-generated graffiti walls and rendered with spotlit interiors to reflect the slower, darker tone of some of the more introspective tracks.

Process Highlights

• Combined real-world satellite data and photogrammetry with stylised 3D world-building.

• Developed a TouchDesigner blob-tracking patch for real-time reactive movement.

• Modeled, lit, and animated multiple environments with custom typography and transitions.

• Created a 3D model of Central Cee’s hand-drawn logo for stage decoration and branding.

Outcome

The visuals toured across major European venues and formed a core part of the stage experience for one of the UK’s leading rap artists. Each video reinforced the identity of the song it accompanied, offering a cinematic and brand-aligned visual narrative that evolved throughout the show.

Credits

Client: Central Cee / Sam Lisher Ltd
Visuals & Animation: Jacob Faulkner (Ordos)

Commissioned by S-Curve Records.

Lamb Of God Tour Visuals

Lamb of God – Album Tour Visuals

Animated Stage Content Based on Original Album Art | Live Metal Tour Aesthetic

Overview

For Lamb of God’s album tour, I was commissioned by We Are Hive to create animated stage visuals that brought the band’s original album artwork to life. The goal was to retain the grit and impact of the original illustrations, while transforming them into dynamic, motion-driven content that could drive the energy of a full live metal performance.

Role & Tools

Role: Animator, Visual Designer
Tools Used: Cinema 4D, After Effects, Photoshop

Visual Style & Concept

The band’s album art is known for its dark, layered, textural aesthetic—I deconstructed these elements, rebuilt them in 3D, and added camera movement, parallax depth, and visual effects to create a series of animated environments. The visuals were designed to sync with the band’s setlist, moving between intense buildup sequences and breakdowns that matched the music’s aggressive pacing.

The animation style remained true to the tone of the original artwork, preserving its hand-crafted feel while adding motion, scale, and energy for the LED screen format.

Process Highlights

• Translated static album illustrations into animated 2.5D compositions.

• Used parallax techniques and layered textures to enhance depth on large LED displays.

• Timed visuals to match tempo shifts and key moments in the band’s performance.

• Delivered optimized visual assets for multi-panel LED playback across tour venues.

Credits

Client: We Are Hive / Lamb of God
Tour: Album Release Tour
Direction & Animation: Jacob Faulkner (Ordos)
Software: Cinema 4D, After Effects, Photoshop

Westlife Dublin Tour Visuals

Westlife – Dublin Tour Visuals

Animated Visuals for Live Arena Performance | Bold Colour & Evolving Sea Scene

Overview

I was commissioned to create bespoke motion visuals for Westlife’s Dublin tour, delivering content for multiple tracks performed across a large-scale LED stage setup. The visuals were designed to amplify the energy and emotion of the live show, using bold colours, dynamic pacing, and narrative-driven animation sequences.

Role & Tools

Role: Visual Designer, Animator
Tools Used: Cinema 4D, After Effects

Visual Style & Concept

For one of the songs, I developed a bright and vibrant visualiser, tightly synced to the music's rhythm. Using colourful patterns, pulses, and fluid transitions, this piece brought high-energy movement to the performance and matched the band's stage lighting design.

In contrast, a second track featured a more atmospheric and evolving narrative: an open sea environment rendered in 3D that began with choppy waves, thunder, and rain, gradually transitioning into calmer waters and a clearing sky. The visuals were built to mirror the emotional arc of the music, giving the audience a cinematic sense of resolution and uplift.

Process Highlights

• Designed bold, beat-synced motion graphics for LED screen playback.

• Created a 3D animated ocean environment with evolving weather systems.

• Used Cinema 4D and After Effects to achieve stylised realism and performance-safe playback formats.

• Delivered visuals formatted for multi-panel stadium LED setups.

Credits

Client: Ross Marshall - Pixel Kartel LTD
Tour: Westlife – Dublin Tour
Direction & Animation: Jacob Faulkner (Ordos)
Software: Cinema 4D, After Effects

Ratchasima Live Visuals

Live Visuals for Australian Band Rachasima

Rob Kingsley: A Vision Of Elvis

2025 Tour Visuals for Rob Kingsley: A Vision Of Elvis

International Elvis tribute show, touring theatres around the UK, Europe and Asia. 

A Country Music Songbook - Touring Theatre visuals

Our Live visual content for ' A Country Music Songbook'. A story-driven theatre show into the history of country music. 

Light Stories

It was a great pleasure to be invited once more to work with video designers Yeast Culture on the 'Light Stories' live show for cellist Matthew Barley in 2024. The show premiered at the Southbank Centre, London in September and since then it has been travelling around the UK and Europe. 
Working closely with Yeast Culture, cinema iloobia created a 70 minute dual-screen visual journey to accompany the live show 'narrating Matthews search for meaning in music-making and how, in time, he came to heal past wounds'. A beautiful project driven by a lovely team of creative people.

Commissioned by Yeast Culture.

Shogun Audio @ Outernet

I was granted creative freedom to conceptualise, art direct, and execute a set of bespoke 3D visuals that embodied the essence of Shogun Audio's brand heritage and left a lasting impression on a crowd of over 2000 energetic ravers. 

Here @ Outernet was the perfect location to showcase our visual spectacle, boasting one of the largest screens of it's kind in Europe.

Commissioned by Shogun Audio.