Gabriel Shalom is a director, music producer, and artist who creates commercials, branded content, short films, and video art. He has a signature editing style and often composes music for the work he directs. A US/UK dual citizen, his international career has included productions in Milan, Berlin, Eindhoven, Frankfurt, Los Angeles, Portland, Chicago, and New York.

His work includes Warehouse Samba, an award-winning dance film commissioned by Shure Microphones featuring original music; Object Oriented, a multi-channel video art installation for MINI's booth at the Frankfurt Auto Fair, the video essay, produced as a commission for the STRP Festival in Eindhoven, and commissions for various cultural institutions such as ZKM Karlsruhe, MU Artspace, KiKK Festival, NODE Forum for Digital Arts, and Frankfurter Kunstverein.

He was profiled in French Vogue for his "immediated autodocumentary" The Future of Art, featuring artists such as Aaron Koblin, Vincent Moon, and Reynold Reynolds, which was both produced and screened in final form at Transmediale Berlin. Italian Rolling Stone has compared his audiovisual EP Faces of N. to the likes Matthew Herbert and Matmos.

His solo museum exhibition The Tosso Variations was installed at MU Artspace Eindhoven as a five channel audiovisual immersive experience, followed by an exhibition of a related virtual work, The Tosso Pavilion, in The Wrong, a digital art biennale.

His work has appeared in Vice, The Creators Project, Fast Company, WIRED, Swiss Miss, Create Digital Motion, My Modern Met, and Booooooom; shown at Cinedans, Flatpack Film Festival, Resonate, and San Francisco Dance Film Festival; and broadcast by BronxNet in New York City, ALL MUSIC Italy, and NHK in Japan.

He is a recipient of the ADC Young Guns award and has served as a juror for the Next Creative Leaders award, the One Screen Film Festival and the ADC Young Guns.